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Taking Fish Photos ~ Part I
by G. J. Reclos




In an ideal world I should be able to tell you that all it takes is "a camera and a roll of film". However, I am pretty sure that very few of you (if any) believe in an ideal world - and you are right. No, it takes much more than film and camera.

Taking photos of fish is not an easy task. There are quite a few good reasons for this. Fishes are very active animals, they do not sit still, they get frightened very easily, they are rather small, they are behind a reflective surface (glass or acrylic), they are reflective themselves, they live in water, they can't be moved to a more suitable place or different lighting conditions and they have various colors which need to be reproduced with the outmost accuracy if the species is to be recognized. These factors make shooting them a really hard task. There are quite a few places in the internet which will tell you the basics on how to shoot fish. Most of this information is well written and simply following the instructions will let you have some good quality photos of most species. 

However, sometimes one may wish to have something different, get a shot which will reveal some special characteristics or present a new image of the fish. Actually, I have seen the same photos time and time again, in many sites. It is very common to see the same photo (usually scanned from a good quality book) in many sites during the same search. This is one more reason to shoot your own pictures and try a different approach. People is fed up seeing the same things all over the net. They will be glad to stop at any site that has to offer some good quality, slightly different fish photos. After all, when you build your site, you want to show your own fish and tanks, otherwise why should you bother in the first place ? All in all, this article is dedicated to you, the proud owner of some species and beautiful tanks who wishes to share their view with people who can't visit you. On top of that, you own a camera and you are also fed up with the "typical" shot of an overexposed tank in which you can barely see some things floating mid-water which you correctly presume to be the fish. This is not what you want right? And if this is what you are satisfied with, there is no reason to read the article, you can do it anytime. So, we are looking for something special, photos that will catch the eye of the visitor.

One such category of photos is close ups. These photos demand some skills from the photographer; they are not for the beginner and there are no "thumb rules" to follow. The rules are generally the same as with normal photos however you are required to know the basics of photography since you will have to manually override any indications and/or automation of your camera. You still have to watch the background, head the flash at an angle and follow the fish but there are more than that. You will work at a distance of 5-20 cm from the fish which means that you will have a very sallow depth of field. In order to get the fish in focus you will have to work with very small f/stops (8 or 11) and still you will have a 2 cm range to work within. This means that if you focus on the eye of the fish (which is looking at the camera) then the "in focus" range will be 1 cm before and 2 cm after the eye. The flash Guide number has to be found and the power of the unit has to be set manually (I mostly use 1/8th of its power but I have a powerful unit with a GN=36). A Guide Number (GN) = 36 means that this flash unit, when an 100 ASA film is used, can light properly an object at a distance of 36 meters when the lens aperture (f/stop) is set to 1. 

Based on this you can do your calculations (e.g. f/stop 2 = 18m; f/stop 4 = 9 m etc.) The unit has to be on the same axis as the lens (you will be working within a 10x5 cm frame, therefore you can't have it off axis if you work alone) but you still have to tilt the head of the unit so that the lens and your flash unit "see" the same area (experiment with a still object placed at the same distance before going to your tank). You can use tape to secure the flash unit on the lens and preferably use a zoom lens or a telephoto otherwise you will have to stick your camera on the glass. Note: you can't use the flash on the camera's "hot shoe". There will be a parallax error (i.e. the unit will "see" a frame above the one your lens is pointing at). With normal lenses you will not be able to shoot any fish which is more than 10 cm behind the glass. Large fish are even more difficult to shoot unless they sit still in parallel with your camera. Their heads are too big for the sallow depth of field and, if pointed towards you, it is better to take more shots. As a reward, this sort of pictures are far more interesting than the "full body - in parallel" shots. You may use your bellows or extension rings with other lenses, too.

In short you can use a normal lens, a zoom lens or a telephoto lens. Each lens is better suited for a different purpose. Usually the normal lens will bring more detail, the telephoto lens will allow you to work at a larger distance from your subject and the zoom lens has the benefit that you can arrange the working distance. Of course there are also drawbacks. Zoom lenses and telephoto lenses are heavier (much heavier) than the normal lens and this will cause your hand to "tremble" which - at this magnification is fatal. Unless you have a specific problem with distance I would recommend the use of the normal lens with the extension. When using telephotos or heavy zoom lenses, the use of a sturdy tripod is a must.

Do not try to focus with a bellows, lens and a unit on it! Simply move the camera back and forth till the fish comes in focus.

To get closer to the fish (macro-photography) you have four options : extension rings, automatic or not bellows, special filters or a macro lens. A true macro lens is the best (easiest) solution but it is also--by far--the most expensive. On the other hand you can use the cheap solutions (extension rings or close up filters) or go for the golden rule which is the automatic bellows. The latter is also the most versatile tool since you can use any lens with it and play with distances. It also offers you a true macro capability up to very large magnifications (image size on film bigger than actual -life- size). Finally it has a continuous magnification range in contrast to close up lenses and extension rings. 

Continued in next page

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The contents of this section (photos included) belong to the Author. No part of this section should be copied or reproduced without his approval.

 

 

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