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Macro and Nature
Photography - XIII
You can see the high resolution pictures by clicking on each thumbnail in the
table below. Please note that some of the files are really large
(even larger than 1 MB) so they may take a while to download. As always, your comments
are welcomed !



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Common starling (Sturnus
vulgaris) and sparrowhawk (Accipiter nisus)
On a nice September day I was
photographing birds outside the house. I took some pictures of
flying doves and then I was attarcted to the noise coming from a
large tree across the street. A group of starlings was sitting and
eating berries from a bush. I took several shots of the bird that
was the most visible. All of a sudden all of them flew off to a
power pylon nearby with no clear reason. I looked around in the air
and now it became very clear what caused the commotion with the
starlings: a sparrowhawk was flying over the field next to our
street. It was clearly looking for a tasty meal and started climbing
high in the sky by using the up-current. This way I could take many
photo's of this beautiful bird of prey.
On a photography sidenote I can tell
that the AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED still can be too
short for fast wildlife shooting. I was forced to use 100% crops to
get the bird as large as possible so I needed as much sharpness as I
could from the lens (aperture f/11) what conflicted with the
required shutter speed (smaller than 1/500s) so I had to raise the
ISO and underexpose a bit what generates noise, the n°1 enemy of
detail...
Photos
by Frank Panis
Shooting Data:
Camera: Nikon D2X
Lens: AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED
Sensitivity: ISO 200
Shutter speed - aperture:
Starling01: 1/400 sec - f/11, Aperture priority mode
Sparrowhawk01: 1/500 sec - f/11, Aperture priority mode
Sparrowhawk02: 1/750 sec - f/11, Aperture priority mode
Sparrowhawk03: 1/800 sec - f/11, Aperture priority mode
Flash: none
Image: NEF edited in Nikon Capture 4.3.1 and PS7
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@ Blakheide: Cananda goose (Branta Canadensis) and
sunrise
Blakheide is a small piece of nature close to the place where I
live. It's mainly covered with heath and pine trees and it still
is a clay exploitation area. There are also many ponds that were
created from digging up clay in the past what makes it
especially attractive for water birds to pass along. I took some
photo's of them in flight, but none of them came out acceptable
because the sun was not behind me when I shot them, so they were
very dark silhouettes and I decided to edit them that way. I
changed the white balance and applied strong curves to enhance
the darkness. The other shots were made the next morning at
sunrise. Needless to say that I love these warm morning and
evening colours!
Photos by Frank Panis
Shooting Data:
Camera: Nikon D2X
Blakheide01: Lens: AF VR Zoom-Nikkor 80-400mm
f/4.5-5.6D ED
@ 360 mm
Sensitivity: ISO 200
Shutter speed - aperture: f/10 and 1/1000s
Blakheide02: Lens: AF Nikkor 50mm f/1.8D
Sensitivity: ISO 200
Shutter speed - aperture: f/5.6 and 1/1000s
Blakheide03: Lens: AF Nikkor 50mm f/1.8D
Sensitivity: ISO 200
Shutter speed - aperture: f/5.6 and 1/15s
Blakheide04: Lens: AF VR Zoom-Nikkor
80-400mm f/4.5-5.6D ED
@ 400 mm
Sensitivity: ISO 200
Shutter speed - aperture: f/8 and 1/200s
Flash: none
Images: NEF edited in Nikon Capture 4.3.1
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Mute Swan
Cygnus olor
While visiting "Het Zwin" last
spring I was overwhelmed by the White Storks, but of
course there were other very nice birds too. These Swans were
swimming gracefully in the duck pond and it should be a shame
not to show them. The contrast of the black and white in the
picture makes that the exposure becomes tricky. Luckily the
combination of the slight underexposure behaviour of the D70 and
spotmetering avoided the highlights from being blown
Photos by Frank Panis
Shooting Data:
Camera: Nikon D70
Lens:
AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED
Sensitivity: ISO 200
Shutter speed - aperture: 122mm, f/8 and 1/1250s
Flash:none
Image: RAW, converted in Nikon Capture 4.3.1
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Pigeon Takeoff gallery
Wild Pigeons are sometimes called rats
with wings, and they're indeed always there when there is something
edible in the neighbourhood. Also think about the diseases they
might carry... I'm not going to shoot them with a gun though, but
with my camera instead as they are welcome subjects to practice my
sports action photography. Especially their takeoff is what I like
the most as this usually shows their wings in full spread.
Photos by Frank Panis
Shooting Data:
Pigeotakeoff01:
Camera: Nikon D70
Lens:
Tamron SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 180mm, f/3.5 and 1/4000s
Pigeotakeoff02:
Camera: Nikon D70
Lens:
Tamron SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 180mm, f/3.5 and 1/4000s
Pigeotakeoff03:
Camera: Nikon D2X
Lens: AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED
Sensitivity: ISO 200
Shutter speed - aperture: 400mm, f/8 and 1/1000s
Image: NEF edited in Nikon Capture 4.3.1
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Pelican and it's reflection -
Pelecanus crispus
(common name: Dalmatian pelican)
A Pelican photographed while it was "gliding" over the
water in a pond in the Blijdorp Zoo. I liked the reflection in the
water very much.
Photo by
Frank Panis
Shooting Data:
Camera: Nikon D2X
Lens: Zoom Nikkor AF-S DX 18–70 mm f/3.5–4.5G IF ED @ 70 mm
Sensitivity: ISO100
Shutter speed and aperture: 1/125, f6.3
Flash: None
Image: RAW, converted in Nikon Capture editor 4.3.1
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Pica pica (common name:
magpie)
I had seen the magpies flying many times and always
admired the shape of their bodies in the air. A quite common bird on the
ground, with an unpleasant voice, it becomes a beautiful animal when in
its natural environment. Getting good photos of it in flight was always
difficult because it is a rather small bird which never comes close to
houses, at least at the suburbs of a large city. The main difficulty was
always to focus quickly while the bird was already in flight. The
acquisition of the really fast focusing 80-200 mm Nikkor made it
possible. I woke up early on a Sunday morning (most birds are
particularly active during that time) and waited till the magpies
started their aerial dance. All shots were taken with the lens wide open
since maximum speed was absolutely necessary to have a reasonable
sharpness.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm.
Sensitivity: ISO 100
Shutter speed - aperture: 1/1600 sec - f/2.8, Aperture priority mode
Flash: none
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm.
Sensitivity: ISO 100
Shutter speed - aperture: 1/2000 sec - f/2.8, Aperture priority mode
Flash: None
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm.
Sensitivity: ISO 100
Shutter speed - aperture: 1/2000 sec - f/2.8, Aperture priority mode
Flash: None
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
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Sunset in Athens
Sunset and dawn
are the times of a day which create a colorful palette in the sky. Since
waking up early in the morning is not really my style, I prefer sunsets.
The sky was full of small clouds but not cloudy, which promised an
interesting sunset so I got my lenses and a tripod and walked to the
nearby hill to take some shots. The light conditions, the shape and
location of the clouds and the colors in the sky changed continuously so
I decided to take one shot every 5 minutes during the last hour before
sunset and 1 shot every 2 minutes when the sun was about to set. I chose
minimum apertures for maximum depth of field since I wanted both the sky
and the foreground to be in focus and ultra wide angle lenses. The
camera was set to "mirror-lock-up" to reduce vibration while the
exposure times ranged from 1/125 to a full 20 seconds. Two of these
shots are presented here, one just before the sun sets and the other one
about 15 minutes later.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens:
Sigma 12-24 mm D, 1:4.5-5.6, DG HSM @ 12mm
Sensitivity: ISO 100
Shutter speed - aperture: 1/25 sec - f/16, Aperture priority mode
Flash: None
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
Camera:
Nikon D2X
Lens: AF Fisheye Nikkor 10.5 mm f/2.8 G ED
Sensitivity: ISO 100
Shutter speed - aperture: 10 sec - f/22, Aperture priority mode
Flash: None
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
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Rosa sp. (common name:
rose)
Roses come in hundreds of colors and are regarded as the
kings of flowers by many people. I have taken literally thousands of
pictures of them under varying conditions, using as many different
approaches as one can think of. In this series of photos four different
types of photos of flowers produced by one single plant are presented.
In the first photo a new flower was shot with fill in flash which
revealed as much texture detail as possible but not all the color hues
of the flower. In the second shot, the flash was not used, so all the
pink color hues are visible. In the third photo I chose a large flower
and shot it head on, with a fill in flash. Again, maximum texture
detail is present but this time color hues are also there because of the
high intensity of natural light. In the last photo another large flower
was chosen but this time it was shot with the sun hitting if from the
right side thus increasing the range of tones, the texture detail and,
with the presence of shadows, the 3-D construction of the flower is shown
in all its complexity and beauty.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D70
Lens: Tamron SP AF 90 mm f/2.8 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/500 sec - f/5.6, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
Camera:
Nikon D70
Lens: Tamron SP AF 90 mm f/2.8 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/90 sec - f/11, Aperture priority mode
Flash: None
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 100
Shutter speed - aperture: 1/60 sec - f/8, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: NEF file, edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized, saved as JPEG.
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 100
Shutter speed - aperture: 1/125 sec - f/16, Aperture priority mode
Flash: None
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
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Nerium oleander
(Family: Apocynaceae; common name:
Oleander)
Oleanders are very common in Greece and are used as
decorative plants everywhere - even in the highways. In the first photo
the flower is lighted by the sun which is behind it, creating an aerie
feeling. In the second shot the flower is lightened by the flash unit
revealing much more detail but has less "warmth".
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm.
Sensitivity: ISO 100
Shutter speed - aperture: 1/250 sec - f/8, Aperture priority mode
Flash: None
Image: NEF file, edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized, saved as JPEG.
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 100
Shutter speed - aperture: 1/60 sec - f/8, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: NEF file, edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized, saved as JPEG. |
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Cosmos sulphureus (Family:
Compositae; common name:
Yellow cosmos) and Centaurea cyanus
(Family: Compositae; common name: Cornflower)
The place was Albany, NY and this is the local botanic
garden kept in shape by volunteers like Shirley Stevens. They have done
a remarkable job - no matter where you look, there is something to
admire. The whole place speaks about the love, tender and care those
people show to these plants. As I was walking around with Ken and Roy, I
saw this bed of yellow cosmos and decided to take a picture of this
isolated flower circled by the small blue flower and a number of buds,
like a star and the planets orbiting around it. The bright orange color
of the main flower further emphasizes this visual impression. A very
small aperture was used to ensure there was enough depth of field while
fill in flash was necessary to have a speed high enough to hand hold the
camera. Many thanks to Shirley Stevens for identifying this flower.
Photo
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Tamron SP AF 90 mm f/2.8 Di Macro 1:1
Sensitivity: ISO 100
Shutter speed - aperture: 1/60 sec - f/20, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening added and
resized.
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Rana esculenta (common
name: European green frog)
These frogs were resting next to a water reservoir at
Dadia forest (Evros, North Greece). My first approach was too clumsy so
all of them dove in the water within seconds. I decided to go for a walk
and come back after 10 minutes to see if any of them had got out again.
As you can see in these photos, they were sun bathing again which
allowed me to take some nice pictures from a distance. I particularly
like the first photo in which the frog appears to be "thinking" of
something..
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/125 sec - f/14, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/90 sec - f/14, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized. |
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Dahlia hybrid (Procyon I)
The opening flower of this dahlia would be a temptation
for every photographer. The flower is large enough to be photographed
with a normal (non macro) lens while it offers the possibility of
interesting close ups. The colors of the flower make it an eye catcher,
while the symmetry will lead the eye to its center. A very small
aperture was used to increase depth of field.
Photo
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 100
Shutter speed - aperture: 1/60 sec - f/16, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
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Grasshopper (Chorthippus
parallelus ?)
This juvenile grasshopper was resting on a water pipe
when I saw it but my camera was not with me at the moment. Being
extremely careful not to frighten it, I went home and came back with the
camera (I am always surprised by my speed at moments like this). The
grasshopper was still there and, after shooting a couple of photos I
decided to step down the lens to f/16 to ensure maximum depth of field
since I was working pretty close to the subject. If it was a large
grasshopper things would be far easier but with this one I had to work
at less than 40 cm from it. After taking a couple of "classic" shots
from of the side of the grasshopper I tried some different shots, one of
which is shown here.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/60 sec - f/16, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/60 sec - f/16, Aperture priority mode
Flash: SB-800 in i-TTL mode |
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Magnolia grandiflora (Family:
Magnoliaceae; common name: Laurel magnolia, Southern magnolia)
I had seen a
magnolia tree across the road and waited for it to produce flowers.
After taking some photos, I almost neglected the tree until recently
when I saw some strange "fruits" growing on it. They were green at first
but started developing a red hue over time. I kept on watching them on a
daily basis and then I noticed that they were opening, exposing some red
things resembling seeds. When they opened enough but before the seeds
were released I knew that it was the right day to take some pictures.
Photo
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Tamron
SP AF 180mm f/3.5 Di Macro 1:1
Sensitivity: ISO 200
Shutter speed - aperture: 1/60 sec - f/10, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
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Streptopelia decaocto,
Family: Columbidae; common name: collared dove)
Collared doves are very common so one more picture is not
something special. The three photos are shown here for some specific
reasons. In the first picture, the fill in flash could (naturally) reach
only the dove so it completely "isolated" it from the sky in the
background. The natural orange color of the sky was enhanced a bit in
Photoshop. In the second photo, a very high shutter speed was necessary
to freeze the motion of the bird scratching its head with its foot. If
you have seen them doing this move you know how fast it is done. To
achieve this, the lens was used almost wide open. The photo at the
bottom is another story. I recently acquired the Nikkor 500 mm f/4 which
is a really bulky and heavy lens. After struggling for a week with
tripods and monopods I found out that I could get sharp images at high
shutter speeds (1/500 sec being the absolute minimum) but they were not
the pictures I wanted. The supporting system was really limiting and I
felt largely "immobilized". I then decided to handhold the lens and the
camera (weighting more than 5 Kg) and use any available support (fence,
tree, chair, table etc.) once I found something interesting, to reduce
vibration which is extremely noticeable with this lens (effectively a
750 mm lens due to the cropping factor). When I saw this dove sitting on
a street light I rested the lens on a fence, focused quickly and took
three shots in rapid sequence while making minor adjustments in the
focus to be sure one of them would be sharp enough. ISO setting was
changed to 200 for those shots to allow for the maximum speed under
these conditions.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 185 mm.
Sensitivity: ISO 100
Shutter speed - aperture: 1/200 sec - f/7.1, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 185 mm.
Sensitivity: ISO 100
Shutter speed - aperture: 1/2500 sec - f/3.2, Aperture priority mode
Flash: SB-800 in i-TTL mode
Camera:
Nikon D2X
Lens: Nikkor
ED 500mm f/4 P
Sensitivity: ISO 200
Shutter speed - aperture: 1/1250 sec - f/4.5, Aperture priority mode
Flash: SB-800 in i-TTL mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
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Gyps fulvus (Family:
Accipitridae;
subfamily: Aegypiinae; common name:
Eurasian Griffon Vulture)
It was the very
first time I saw a flight show with predator birds and I was really
fascinated. I knew that people at the AZP take their work very seriously
and they have a keen interest for birds but when they announced the
flight show some months ago I thought it was a project which would never
materialize. However, I was wrong. They have done an excellent job up to
now and we are going to present it in a full article in the near future.
Back to the photos now. I went there with two cameras and four lenses
but in the end this was too optimistic. You don't have time to change
cameras or lenses. Actually, you don't even have time to focus. The
birds will fly a 20-30 meter distance, heading to you (and your camera)
so even framing is out of the question. What looks small at the
beginning is too large at the end of the flight. All you can do is to be
ready and take as many shots as you can. It is really disappointing but
the truth is that you rely more on the capabilities of the camera and
the lens you use and far less on your abilities as a photographer. I
must admit that the selection of the 80-200 mm coupled on a 1.4 X Kenko
teleconverter was a far shot. Ideally, all I needed was the zoom lens
alone. I was lucky to have the right camera though, the D2X which proved
- beyond any doubt - that you get what you pay for. I love my D70 but
the only reason you can now enjoy those photos is because of two
features of this camera : the continuous focusing with target lock and
the fast shooting rate. The teleconverter was removed and the quality of
the photos benefited dramatically. If you have an Exif reader you will see that the
last six photos were taken within 2 seconds.. .Although the situation
described sounds as a "preset" one, still there are some things you can
do. Use your lens wide open and take a lens which is quite sharp even in
this case. Not many lenses are and not many telephotos have this 2.8 as
an f/stop. The first couple of photos were taken at 1/2000 sec but then
I moved into manual mode, raised the ISO to 200 and used a preset speed
of 1/4000 sec at f/2.8 which was taken from the grass area where the
event was taking place (substitutes a grey card very nicely). This kind
of speed will allow your camera to work on the maximum frame rate.
This particular bird became my favourite one from the beginning of the
show. I was really impressed by its friendly attitude with humans and
when it flew, its wingspan was fantastic. This species is one of the
friendliest with humans and this was evident throughout the show. I must
confess that I even considered getting one as a pet.. During the show, I was really taken by the
"landing" procedure during which the bird used its huge wings to slow
down, then turn its body almost vertical and move its feet in front to
be ready for the touchdown. The first time it did that I was too
impressed to take any shots but the second one I was ready for it. I set
the camera to continuous / slow (3 frames per second) and gave it a try.
I was amazed to see the small insect in front of the vulture frozen in
mid air in the two first photos. Even if I wanted to do that, it
wouldn't be possible..
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm
Sensitivity: ISO 200
Shutter speed - aperture: 1/2000 sec - f/2.8, Aperture priority mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm
Sensitivity: ISO 200
Shutter speed - aperture: 1/2000 sec - f/2.8, Aperture priority mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized. Photos taken at the
Attica Zoological Park
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Parabuteo unicinctus (common
name: Harris hawk)
Far smaller than
the vulture, the hawk needs far more attention to keep in focus. Apart
from that, its flight is far more nervous and fast which doubles the
problem. I wouldn't recommend anything below 1/2000 sec to capture this
bird in mid flight and still you will need a lot of luck. The settings
were the same as for the vulture above. A very beautiful bird, a true
hunter, this hawk will amaze any serious bird lover. The only animal
which is more majestic and efficient in the air is the eagle.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 155 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 170 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized. Photos taken at the
Attica Zoological Park
|
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Necrosyrtes monachus (common
name: Hooded vulture)
This is a
mid-sized vulture with the typical flight characteristics of the family,
which is resumed in a predictable flight line and, once you focus on it
you will have a large percentage of nice photos. The bird you see in the
first two photos is the female and the one at the bottom the male. Males
take longer to be trained and this one is still tied to a training rope
so it won't escape. Their hearing is very poor but they have an
excellent vision. They will prefer to fly against the wind which may
help you to predict the course it will take. Camera settings were the
same as described above. The name is formed from two Greek words, necros
= dead and syrtes = the carrier. The local tribes have a myth about this
bird in which it is thought to be responsible for carrying the souls of
the dead to heaven.
Photos
by George J. Reclos
Shooting Data:
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 185 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/3200 sec - f/2.8, Aperture priority mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized.
Camera:
Nikon D2X
Lens: Nikkor
AF 80-200 mm f/2.8 ED D @ 200 mm .
Sensitivity: ISO 200
Shutter speed - aperture: 1/4000 sec - f/2.8, manual mode
Flash: SB-800 in i-TTL/FP mode
Image: JPEG edited in Photoshop CS2, levels adjusted, smart sharpening
added and resized. Photos taken at the
Attica Zoological Park
|
Many thanks are due to Mrs. Eva Stets for the correct
identification of the birds
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